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Attention: Business owners

Ads not getting results? Look Under the Hood

Kick "Asset" Video Marketing

Creative-director-led performance video that turns creative into profit, not just content. I find what is actually broken before I make a single thing, then build the fix. Real footage, real edits, no synthetic actors.

Agency reel

See the work

The offer

Diagnosis first. Then we build.

Most agencies start producing before they know what is broken. I do the opposite. We start small, I prove it, and you climb only as far as the results earn. Three rungs, all prices on the table.

  1. Start here

    Look Under the Hood

    $250

    Refundable.

    Before we ever talk, I tear down your actual ad account and tell you what is really broken. No pitch deck. No homework for you. Just a straight read of where your money is leaking.

    • A teardown of your real ad account, not a generic audit.
    • I name the bottleneck before I make a single thing.
    • Your $250 is refundable, so the only thing you risk is finding out.
  2. Rung 2

    The Validated Sprint

    $4,500

    Flat. Credited 100% toward your first month.

    I read the whole picture (account, creative, funnel), name the one bottleneck holding you back, then build and ship one live fix. You get a working asset in market, not a slide deck.

    • Full account, creative, and funnel read.
    • One real fix, built and shipped live (not a document).
    • The full $4,500 credits toward month one, so the Sprint is a free on-ramp if you continue.
  3. Rung 3

    Creative Velocity

    $3,500

    per month. Pause or cancel anytime.

    An ongoing creative engine run by one senior director. Fewer, higher-quality winners that are validated before they run and do not fatigue in a week. Real footage, real edits, no synthetic actors.

    • Unlimited revisions inside the flat fee. No per-revision meter.
    • Fast turnaround, with a monthly numbers review that re-aims the queue.
    • No contract. Pause or cancel anytime.

Fewer, higher-quality winners

I do not run a content treadmill. Every concept is validated before it goes live, so you get ads that win and keep winning instead of a pile that fatigues in a week.

You are covered when I am out

I cap how many clients I take so nobody gets shortchanged, I hold to a stated turnaround on every request, and I keep a vetted backup editor briefed on your account so deadlines hold even when I am not at the desk.

Flat pricing, no surprises

Scoped flat fees with no per-revision meter and no open-ended retainer. Pause or cancel anytime. You always know exactly what you are paying for.

Proof

Held performance, through the fatigue cycle.

A good reel proves I can make something pretty. What actually matters is whether the numbers hold when the first winner gets tired. That is the bar I hold myself to.

Case study, coming soon

[Case study: held CPA/ROAS through a fatigue cycle, Adam to supply]

I am only putting real before-and-after numbers here, the kind that show performance holding when a winning ad starts to fade. No invented stats, no vanity metrics. The first verified results land here shortly.

Trusted by brands across industries

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In their words

Results clients feel

Meet the founder

Hey, I'm Adam!

  • Managed full-funnel marketing campaigns for a $300M+/yr supplement brand.
  • Launched national campaigns across TV, CTV, YouTube, Meta, Google, TikTok, and email.
  • Worked with publicly traded companies, celebrities, and local businesses.
  • Led film crews of 20+ producing world-class campaigns.

I started Grab Your Assets after years in the corporate world where every project moved at a snail's pace and great ideas got buried under red tape. I wanted to build something lean, fast, and creative, a system that could move as quickly as the platforms we advertise on.

Working with multiple brands through my agency reminded me why I love this work. It's fulfilling, challenging, and results-driven. I get to help businesses grow without the bottlenecks, excuses, or layers of approval that slow down most marketing teams.

I've learned that I can often deliver better, more consistent creative than most in-house departments, sometimes up to 30X faster, and with more care for the outcome because I'm directly tied to it.

Ever since, I've been able to partner with companies across industries to scale their creative, streamline their media, and build systems that actually drive revenue.